Friday, July 29, 2005

Flag Day Celebration

Seems that I'm throwing a party. First, the names for this party:

Now that the important stuff is out of the way, on to the ridiculous:

Now that you know all this, it's vital that you do the following:

  1. Tell your friends.
  2. Tell your friend's band.
  3. Show up.

This is all going down, without any problems what-so-ever, on Friday, August 5th, 2005, probably around 9PM.

To get involved in this stuff subscribe to the mailing list. To simply be alerted to these kind of events, subscribe to that mailing list.

Oh, and if this is ridiculous and out-of-control, wait until you hear my ideas for The New Year's Eve Party.

When Sarah sits around the house, she sits _around_ the house

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Gravy Train!!!!, Veronica Lipgloss, SPF Alot

For Sarah's last night in Boston (for a while, at least) she joined Matt and I to dance while a man got naked on stage.

SPF Alot

I don't remember much about SPF Alot except that they weren't that great. Sarah made a comment about people dancing similarly to how people dance to hardcore techno.

Veronica Lipgloss

A pretty girl with hairy armpits showed us her black-and-white-polka-dotted underwear while her band played funky songs that we all danced to. Very fun, good music.

Gravy Train!!!!

Holy cow this was wild. We demanded Sippin' 40z, and they promised to play it (it is their hit, afterall), but the vocalist was unable to stand with 15 minutes left in the set. One of them took his clothes off, the others stripped down to their underwear, and their roadie shook her breasts with them for a song. The audience was absolutely loving everything they threw at us (Sarah danced for the first time in Boston). Amazing.

Sarah Stambaugh in my room for the last time in months

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Sunday, July 24, 2005

Tristan Da Cunha, Mad Man Films, Roh Delikat

On July 21st, 2005, Sarah used her other identity to join me at PA's Lounge for more guitars, bass, and drums applied to rock music. Sick of my willingness to walk everywhere, she insisted that we take the bus to Union Square; and in the tradition of my stubborness, I refused to pay for travel to a distance I could walk.

All Combinations

Sarah
Well, we wouldn't want to get there "unfashionably early".
me
We also wouldn't want to "miss the show".
Sarah
Good point.

We totally missed All Combinations.

Mad Man Films

The bassist dressed as a mother at night, the drummer as a father at night, and the guitarist/vocalist as a young child in his pyjamas. They played some rocking funky stuff with amazing guitar and drum skills that we really got into.

Then they made the fatal mistake that drove Sarah to thoroughly enjoy herself: while the guitarist stripped, he requested a lamp on stage next to him; while this happened, the bassist played the first three notes to the Talking Heads' song This Must be the Place (Naïve Melody). At this point it should be explained that Sarah has watched Stop Making Sense at least ten times a week since before I met her.

Mad Mad Films were great, in summary.

Tristan Da Cunh

They decided to switch instruments on this night, I think. That's what I gather. They also performed covers of songs that influenced them, or that they liked.

Regardless, the guitarist was amazing and the songs equally excellent.

Roh Delikat

Not quite as good as Mad Man Films or Tristan Da Cunh. I'd see them again if they played with another good band.

Sarah attempting to evade a photograph

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Wednesday, July 20, 2005

Silencio, Something Against You, Fight the Nothing, Visional

On July 17th, 2005, Sarah, Matt, and I partied with Silencio before seeing them perform at the Middle East Upstairs.

The empty stage just before Silencio was set to perform

Silencio and their party!

Silencio lives in an amazing location—directly across the street from The Middle East. Packed into their aparment must have been fifty people, all excited to hear Silencio perform. At least two (probably three or four) languages were shouted, stickers were tossed about, and photos were taken of everyone.

Silencio greeting their audience

At about 8:50PM someone realized that Silencio was to perform in twenty minutes! We left the heat of the apartment to the cool of Upstairs, walking directly in as if we owned the place. Of course, we didn't, and they made us go back and pay.

Marcelo sings into the bass drum

More photos were taken before Silencio took to the stage. Marcelo was worried about his voice, and they were still missing a bassist, but the audience didn't care. We were all there for Silencio, whom we knew rocked. Marcelo called us closer, to make it seem like a real rock show, and encouraged us to yell and generally go nuts while Marvio, Dave, and Marcelo performed some of their wildest metal. It ended, on the last note of their last song, with Marvio breaking a string.

They rock. Hard

More photos were taken, more cheers were shouted, and Silencio left. Wild.

Silencio, excited after their set

Something Against You

Sucked. We left.

Fight The Nothing

Didn't suck.

Fight the Nothing performing

Visional

Didn't suck.

Visional trying to fit on the stage in one spot

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Saturday, July 16, 2005

The Product, The Prime Meridian, Kite, Glint

July 12, 2005 at TT's with Matt.

Glint's keyboardist with lots of electronics

The Prime Meridian

Slinty and good. I only heard their last two songs, sadly.

The Prime Meridian during their last song of the set

The Product

Fucking awesome. I got their EP.

The Product, being all funky-like

Kite

Whiny.

Glint

One good song; pretty bad. Good drummer. Left early.

Glint's drummer, the only thing holding the band together

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PantsYell, Love as Laughter, Cass McCombs

July 11th, 2005 at TT's with Dicky and Matt.

Love as Laughter's guitarist singing

PantsYell!

Yawn.

Love as Laughter

So-so.

Love as Laughter

Cass McCombs

Interesting and fresh. I'm sick of music in 4/4 or 2/4 time, so when the vocalist counted off "1 2 3 4 5 6" you can just imagine how ecstatic I was. Not sure if I'd see them again, but I don't see why not.

Cass McCombs, sitting down to play

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Clampede, Slow Motion Driver, Called and Careless

On July 10th, 2005 I went with Matt to TT's.

The original purpose of this music Web log was to keep track of who I see and what I thought of them. Going with that, these reviews are really, really short.

The tour bassist from Called and Careless stepped into the crowd to get people from the bar

Clampede

Mediocre hard rock.

Clampede doing their thing

Slow Motion Driver

Awful. If you're doing to have a five-stringed bass and a double-bass drum, the least you can do is rock out really, really hard.

Slow Motion Driver playing some music

Called and Careless

Good; not great, but good.

They, uh, thought it'd be a good idea to take their shirts off.

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Friday, July 15, 2005

Auditory Implant, Throne

July 13th, 2005 at The Compound with Charlotte.

Auditory Implant

Good live show. Great musicianship. The drummer on vocals was an interesting touch.

Auditory Implant at The Compound

Throne

The bassist, also the vocalist, broke a bass string during first song and couldn't transpose well enough to play the remaining songs (unlike Reserve). Bassist on vocals is a nice touch, but they were not as good as Auditory Implant.

Throne at The Compound

Ride Home

After Throne, the guitarist of Auditory Implant (Charlotte's boyfriend) had offered a ride home. However, my bike couldn't fit in his car, so I took a bike trip home.

The map showing the details of my bike trip from Fitchburg to Wakefield

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Saturday, July 09, 2005

My thoughts on the topic

I've just been informed that people are using various things I've written here against people I know. Well, don't. Thank you.

Mike Burns' middle finger

Friday, July 08, 2005

The Constantines, Oxford Collapse, Get Him Eat Him

Since all my music posts are the same, I now present this music post in a summary form.

Who went
Matt Horan, Mike Burns
When
July 7th, 2005
Where
Great Scott
Overall comment
The Constantines stole the show, as usual

The bassist from The Constantines holding his bass in front of his face

Get Him Eat Him

Sounded like a more exciting version of retro-rock, but it's still retro-rock. Wouldn't buy the albums, wouldn't see them again.

Get Him Eat Him performing

Oxford Collapse

Sounded like a weaker version of The Constantines. I would buy the album, though I didn't. Not enough of a fun live show to see them again.

The guitarist and bassist from Oxford Collapse

The Constantines

This marked my third time seeing The Constantines, and I have never been disappointed by their wild tambourine antics. If you thought rock was dead then you haven't seen The Constantines.

The guitarist and keyboardist from The Constantines, with their drummer in the background, while they totally rock out

They played some new material for an upcoming album, due out in October. The new material isn't as good as their old stuff (especially when compared to their first album), but it was good. They ended with a horrible cover of AC/DC's Ride On, but we didn't care. See this band then try to tell me that there's no good rock anymore. I dare you.

The vocalist/guitarist and the bassist from The Constantines while they hack away on AC/DC's Ride On

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Sunday, July 03, 2005

Neptune, Bread and Roses, The Cankickers, Gutterhelmet, Dreamhouse

Last night, Matt, Cate, and I found the Harvard Social Forum for some vegan food (er, we ate first) and some noise and rock music.

Neptune's vocalist and only remaining founding member

Neptune

Technical malfunctions everywhere. The snare broke during the first song, the hi-hat didn't show up until the third song, the bass stopped working before the last song, and the snare fell over during the final improve jam session. Once the snare fell over the drummer lost it and threw stuff around.

Neptune's guitarist with home-made guitars

Despite all this, the music was excellent. I finally got my hands on their original studio album. They're playing at Pan 9 in a few weeks, check them out.

Neptune's angry drummer and the vocalist

Bread and Roses

They started out fun and fast, but eventually it turned too folky. Good music, just not the kind of stuff that I'm into.

Bread and Roses playing some folky music

The Can Kickers

A week back, when I told Matt about this show, I described The Can Kickers as a fiddler, banjo player, and washboard player performing wild rock. After this set, Matt agreed.

The Can Kickers rocking out

The drummer is absolutely nuts. I've never seen anyone so happy to pound away on a snare or washboard. At the end of the set he smashes the washboard while the audience tries to make the fiddle and banjo play faster by clapping. (I already had a piece of washboard from the last time I saw them, so I gave a piece to Cate.)

Wild stuff, be sure to see them.

The absolutely nutty washboard percussionist from the Can Kickers

Gutterhelmet

Cate left between the Can Kickers and Gutterhelmet, so I ended up missing some of this set. What I walked in on was song awesome math rock; as I got to the front I discovered a drumkit in the back left corner and an accordion in the front right. They rocked. Hard.

Alec K. Redfearn rocking the accordion

Dreamhouse

We took a seat in the very comfortable couches while the next band set up, which is just as well since it made their performance more of a shock. When my "they're going to play" sense started to tingle we found our way to the front, I thought. There were two drumkits, facing each other; a guitarist behind them; and some microphones and drumsticks laying around. The audience had twenty or so people remaining. They began playing, I think, with some noise from the guitar and one of the drums, when the back door flew open and people ran in, yelling, carrying a very large blue tarp. A bright light was turned on as we were covered in blue tarp. Immediately the audience knew what to do: pass the blue tarp so that it encompasses everyone, shake it, and yell. The light went off, inspiring the audience to pick up the drumsticks and bang on the drums.

I'm also reminded of this story from Sarah (from memory):

I was in a metal band for a week. I was the drummer, except we didn't write a drum part, so I just kinda sat there and banged on stuff when I felt like it. We played at my high school because, ya know, it was an art high school, so we were art.

I've to admit, I'm a sucker for performance art.

Crazy performance artists

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Friday, July 01, 2005

Cracktorch, Broken, The Lot Six

On June 30th Matt and I found the Cambridge Elk's Lodge to figure out who was playing and how much it cost. We ended up getting some awesome hard rock as a result.

Broken's guitarist, rocking

Campaign for Real Time

Synthesizer, meet hard rock. You two will get along quite well in the hands of Campaign for Real Time.

One of the most enthusiastic and excited bands I've seen. If someone was at the merchandise table I would've bought their album.

Campaign for Real Time rocking out

Bury the Needle

Another one of the most enthusiastic and exited bands I've seen. The musicians played well and the vocalist really got into the vocals.

Bury the Needle's vocalist and guitarist rocking out

The Lot Six

Not quite as enthusiastic and excited as when I first saw them, but still amazing. A mosh pit formed which nearly took out the cute chick with the camera. They played past closing time (early—11PM) even though the management turned on all the lights and made a big scene about the show being over.

The Lot Six's guitarist jamming along to the rock

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